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We declare that this face always reminds us of Carter Sans—until we compare and contrast and see that one has not much to do with the other
This is only the beginning
making it a key reference for anyone studying the evolution of German typography and structural book design
It’s possible we’ve not dug as deeply as we should in order to find out who took these pics of Frederic W
color printing (including something they call “wax engraving”)
Werkschau 2020 (Martin Woodtli) historyoftypedesignlithos We declare that this faceDesigned by Martin Woodtli, the striking silkscreen poster uses a towering rocket body constructed from massive, highly distorted typography spelling WERKSCHAU (Work Show). Framed by graphic plumes of smoke, the design embodies Woodtlis signature aesthetic: defying traditional Swiss design etiquette by unconventionally merging intricate digital vector graphics, comic book illustrations, and complex, multilayered patterns. Based in Zrich, where he
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