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A History of Type Design: William Caslon, 1692–1766 (London, England) kenji-glows Rudolf Koch would have been

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Description

Rudolf Koch would have been 49—and the Koch Antiqua caps (1922) in this piece would have been still new(ish)

) and scarcely seen in these scarcely united states

It’s a good explanation of exactly what its title suggests and is loaded with exemplars both historic and contemporary

The engraving was made when he was nineteen

moving it from pile to pile until it was time to figure out what it was

A History of Type Design: William Caslon, 1692–1766 (London, England) kenji-glows Rudolf Koch would have beenUsing a variation on the Japanese frottage technique of Takuhon, curator Gavin Morrison and artist Scott Myles have taken impressions from the headstones of prominent type designers and then turned them into limited edition lithographs. Each one is printed at 100% of the original rubbing. And each one is a total stunner. Heres the piece for William Caslonalthough there are too many Caslons to count here. Whoever cut this definitely followed the old

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