Mousai, Intersection I. Si Vis Pacem, Para Bellum. Taking Ernaux’s unique artistic endeavour

Taking Ernaux’s unique artistic endeavour to ‘describe reality as through the eyes of a photographer and to preserve the mystery and opacity of the lives I encountered’

Unpaginated with b&w plates throughout

Natural Enemies includes several new essays and poems by Kathleen Walkup

Pleine lune

A beautiful survey of Issey Miyake's work from the seventies in large format

Mousai, Intersection I. Si Vis Pacem, Para Bellum. Taking Ernaux’s unique artistic endeavourWith our first intersecting issue, Mousai consolidates its commitment to intersectionality in platforming and publishing othered and marginalised voices. Si vis pacem, para bellum centres trans+ voices responding to and resisting erasure, and speaking on the experience of living within a trans+ experience in a world that is increasingly issuing segregation, exclusion, erasure, and violence upon our bodies, our rights, our healthcare, and our ability